Valhalla Reverb Update In A

Dark, lush, wide, with random modulation that quickly builds into rich chorusing.

Sounds range from tight ambiences and rooms, through traditional hall and plate sounds, all the way up to vast modulated spaces.

The algorithm designs have been influenced by some of the classic room simulation boxes, as well as state of the art modern theory.

Instead of creating a simplified physical model of a simplified physical space, Room generates early and late acoustic energy that provides the spatial and phase cues needed to create an idealized room impression.

Initially, the decay is a bit sparse, but it quickly builds to a high reflection density.

The Large Room algorithm has a very exponential decay, with precise control over the frequency balance of the decay over time.

There is a slight amount of high frequency absorption that is inherent to the Large Room algorithm, which reflects the effects of air on high frequencies.

The modulation in the Large Room algorithm is designed to create a wide stereo image, but without causing random pitch shifts in the decay.

This algorithm emulates a room with walls that are somewhat wider than Large Room more of a square geometry as opposed to the shoebox reflection patterns of Large Room.

The modulation is more random than Large Room and can cause some random pitch shifts for long decays which is also a characteristic of many of the classic reverb algorithms as found in the early Lexicon boxes.

This slow attack time is a characteristic of larger halls but can also be heard in some of the classic digital reverbs.

The decay of the Bright Room algorithm has more high frequency air and sheen than the other algorithms it is fair to say that Bright Room is more digital than the other algorithms, in a good way.

The modulation in Bright Room is random, complex, and deep, with the goal to provide lush chorusing to any input signal.

At some settings, it can sound close to string ensembles, and for long decays, it turns static input sounds into evolving pads.

This algorithm shares many characteristics with Large Room but has a much more even early echo density.

Instead of emulating the initial echo sparseness of most rooms, it starts off with a very high echo density, similar to the high echo densities found in echo chambers and similar spaces (Ive spent a lot of time clapping my hands in multi-story concrete stairwells and listening to the decay).

The goal with Large Chamber was to get a sound that was larger than life, with the echo density of a small space but the modal density of a large hall.

It is deliberately low-fi, with noisy interpolation, no high frequencies above 11 kHz, and a late reverb that can have a low initial echo density.

It also has a wide stereo image, a clear decay with lush randomized chorusing, and sits in a mix quite nicely.

An added bonus is that the CPU is significantly lower than the other Valhalla Room reverb modes.

Valhalla Reverb Update In A

This was the first mode update in a Valhalla plugin, dating back to summer 2011, and began our tradition of adding radically different algorithms to existing plugins.

In this way, it is similar to the Large Chamber reverb mode, but with deeper modulation and a much bigger size.

Very sparse early echo density, slow density build, random modulation, and wide spatial image.

Narcissus is also the lightest reverb mode in Valhalla Room, with a very low CPU hit.

Valhalla Reverb Crack